Among Spider-Man‘s many iconic enemies, Doctor Octopus occupies a notable place–right after the infamous Green Goblin. Octopuses are not natural enemies to the spiders, so this is an exception. Introduced in 1963 in the pages of The Amazing Spider-Man #3, this supervillain was created by Stan Lee and Steve Ditko.
Doc Ock’s real name is Otto Octavius. He is a mad scientist who is highly intelligent, myopic, and in control of four mechanical arms that he built himself. Those arms were the original idea of Steve Ditko. He suggested it to Stan Lee who came up with the rest, the name and the origin story.
If Marvel’s Thanos is nowadays vastly known, he is not the only tyrannical ruler with a deadly agenda for the rest of the Universe. Before him, there was another one introduced in the DC Universe by none other than Jack Kirby. We are obviously talking about Darkseid, a New God and the tyrannical ruler of the planet Apokolips.
Darkseid first appeared in a cameo Superman’s Pal Jimmy Olsen #134 (1970) in what is known as the beginning of the Fourth World Saga–he made his first full appearance in Forever People #1.
Born Prince Uxas, Darkseid took control of the planet Apokolip, a nightmarish dystopia that is the complete opposite of its sister planet, New Genesis, a utopian world ruled by the wise and benevolent Highfather. The inhabitants of these planets possess incredible powers and abilities far beyond those of ordinary mortals. Eventually, the two went to war against each other. But a peace was ultimately signed and required an exchange of “hostages” as Highfather’s son, Scott Free (Miracle Man), was traded for Darkseid’s son, Orion.
What Darkseid really wants is to eliminate all free will from the universe. To achieve that, he searched the Anti-Life Equation and that’s why he took an interest in Earth as he thought he could piece together the Equation by probing the minds of every human. But he also had to fight the heroes of Earth. He tried other approaches over the years to accomplish his desired goal. From antagonist in Jack Kirby’s saga, he became the greatest adversary of the Justice League.
Following the 1993’s Reign of Supermen saga, Hal Jordan–the main Green Lantern of that era–is pushed on a downward spiral during the famous Emerald Twilight storyline that will have grave consequences for everybody. Hal lost his mind and destroyed what was the heart of the Green Lantern, killing most of the Guardians of the Galaxy in the process, before going away for a time. During his absence, one surviving Guardian, Ganthet, visited Earth to find a replacement Lantern. He found Kyle Rayner.
Editor Kevin Dooley was faced with dropping sales and decided to let go of Hal Jordan, now considered a hero from a bygone era but a lot of readers, and introduced a new Green Lantern for the 1990s. As it was the era of the Death of Superman and backbreaking Batman, the trend was destruction and Hal (and Coast City) had to be destroyed to let an All-New Green Lantern take his place.
In Green Lantern (vol. 3) #48, writer Ron Marz and artist Darryl Banks introduced Kyle Rayner, a freelance comic book artist working in Los Angeles. Unlike Hal Jordan, Kyle was not a fearless and somewhat perfect hero. In fact, he had his problems and knew fear, but it was his capacity to overcome it that led Ganthet to give him what was at the time the last working Green Lantern power ring.
Without the Green Lantern Corps to help him, Kyle had to learn the hard way how his ring works. When his girlfriend, Alexandra DeWitt, was murdered by the supervillain Major Force (who infamously stuffed her body in a refrigerator), Kyle was forced to confront the seriousness of his new job as a Lantern. He moved to New York and decided to become the best Lantern he could be–this storyline was the origin of controversy, but the Green Lantern series survived and thrived with his new hero.
Since then, Kyle Rayner joined the Justice League, achieved godhood, helped create a new group of Guardians of the Galaxy, helped carry on the legacy of the Corps, and fought Parallax and a lot of powerful enemies.
Looking like he is Thor with the head of a horse, Beta Ray Bill is not a multiverse variant of the Asgardian superhero. He is from the same universe and he is more than a copy or a variant of the God of Thunder.
Introduced by Walt Simonson during his famous run on Thor in 1983 in a 4-issue adventure told in The Mighty Thor #337-340, Beta Ray Bill is a Korbinite, as he comes from the planet Korbin, “Burning Galaxy.” The inhabitants of this part of space don’t look like him as he was transformed into a cybernetic being.
For Walt Simonson, the idea was to use comic tropes to subvert expectations. As he said in an interview published in The Jack Kirby Collector #14, “I designed Bill deliberately as a monster, because I knew that people would look at it and go, ‘Oh, my God, it’s this evil guy.’ I deliberately wrote them so you weren’t sure in the beginning if he was a good guy or a bad guy. His face was designed around a horse’s skull, partly because horses are quite beautiful. I thought it’d be kind of cool to have the structure of a beautiful animal underneath the monster to give this dichotomy between the monstrous and the beautiful in the same face.”
One of the most surprising elements of Beta Ray Bill’s introduction is that he can pick up Mjolnir, the most powerful weapon of the Norse gods, the one that only Thor is supposed to be worthy of using. But Bill is also worthy and, beyond the initial shock of seeing a monster-like character using Mjolnir, it proves that he is a noble warrior on par with Thor.
As Spider-Man wasn’t the first spider-themed superhero, Black Cat wasn’t the first comic book cat-themed cat burglar with an ambiguous relationship with a famous vigilante.
Master thief Felicia Hardy was created by Marv Wolfman, Keith Pollard, and Dave Cockrum and made her first official appearance in The Amazing Spider-Man #194, in 1979. It wasn’t supposed to be her introduction as she was first drawn for the cover of Spider-Woman #9, before the story was even written. But Marv Wolfman left the book and brought his feline villain to another spider-titled series, the “amazing” one.
Some may think that comics are all about superheroes, but even the mask vigilantes and other overpowered costume heroes are just fighting crimes. Batman was born in the pages of Detective Comics after all, next to Slam Bradley and others. In fact, he is still doing investigating work in the street of Gotham, when he doesn’t fight super-villains.
Anyways, there have always been crime fighters in the realm of comic books, from Will Eisner’s The Spirit, pulp heroes like The Shadow, to paranormal investigators like Hellboy or Scooby-doo & co. There also are simple private detectives, cops, local sheriffs, and amateur sleuths in the pages of the Big Two comics or independent publishers–we can’t forget anthologies like Crime Suspenstories by EC comics.
If you are a dedicated reader of crime stories, you know that they come in a lot of different flavors. The following list is an attempt at covering the spectrum of the crime genre in comics with what is among the best series published. You can add to it by leaving a comment!
Following the 2022 crossover events Dark Crisis on Infinite Earths and Lazarus Planet, DC Comics ended its publishing initiative known as the Infinite Frontier to launch the Dawn of DC line. Introduced as a yearlong storytelling initiative, it became another era of the DC Universe with its relaunches and crossover events.
As with Infinite Frontier, new creative teams had already taken over the main Batman series before the new ‘era’ began, and they continued to tell their story without much interruption. The Dark Knight continues his adventures in the main Batman comics by Chip Zdarsky and Jorge Jimenez, Detective Comics by Ram V and Rafael Albuquerque (and others), Batman/Superman: World’s Finest by Mark Waid and Dan Mora, but also in new volumes of Batman: The Brave and the Bold by Tom King, and Batman and Robin by Joshua Williamson and Simone di Meo.
The Dawn of DC era developed an overarching narrative that focused on Amanda Waller’s last nefarious plan. Also, the Justice League didn’t reform following the events of the Dark Crisis. Overall, Batman is not at the center of the big story but still has plenty to do.
In 1964, the Batman titles got a “New Look,” but as 1969 ended, it already faded and change was again needed as both Batman and Detective Comics didn’t sell that much anymore. Artist Neal Adams was motivated to bring the Caped Crusader back onto a darker gothic path and worked with writer Frank Robbins—and occasionally Denny O’Neil—toward this goal.
One of the creative highlights of the Adams and Robbins collaboration in 1970 was in the pages of Detective Comics #400 with the introduction of Man-Bat.
In 1992, DC Comics published a four-part miniseries titled “The Sword of Azrael,” written by Dennis O’Neil–the editor of the Batman line–and penciled by Joe Quesada. At the time, readers thought it was just another inconsequential adventure of Batman, not knowing that the introduction of the character Azrael was part of a bigger plan that would come to fruition with the Knightfall storyline.
Azrael, Vengeful Angel of the Order of St. Dumas
When Jean-Paul Valley’s father is mortally shot by a gangster he was sent to kill, he gives his son instructions to follow before dying. This led Jean-Paul to Switzerland where he had a rendezvous in a tiny mountain village to meet his destiny. There, a small man dressed as a monk named Nomoz becomes his new teacher. His brutal training starts.
Jean-Paul Valley is to become the new Azrael, the deadly Angel working to protect the Order of St. Dumas–a secret society/religious organization with a long history, dating back to the Crusades, that was originally connected to the Knights Templar. What he doesn’t know is that he was conditioned to take on this role from birth as were his father and ancestors.
The Gang War concluded only a few weeks ago, but a new bloody menace is emerging and, this time, it’s not confined to New York, it’s all over the world. The big summer event of Marvel Comics is here.
Coming from writer Jed MacKay and artist Pepe Larraz, as the official synopsis tells it, Marvel’s Blood Hunt starts as “the skies have gone dark, the sun hiding its face from the carnage to come. The children of the night, the vampires, have risen from the dark and hidden places of the world as one to drown the Marvel Universe in blood. Earth’s final night has fallen—can even the heroes of this doomed world stem the tide of blood that is to come? A dawn might assuredly come, but not before the universe is drenched in crimson!”
Avengers, Blade, Bloodline, Spider-Man, Hunter’s Moon, Tigra, Doctor Strange and Clea, The X-Men, and more are fighting in a war of a new kind against the creatures of the night.