Imagine the whole universe is in peril. I mean Universes! An unprecedented menace is coming, worlds are being annihilated, and nothing and nobody can’t stop it, except maybe if all the superheroes and supervillains unite. No, it’s not the pitch for next week’s major comics crossover event at Marvel or DC, because it’s 1985 and nothing as ambitious and of that scale has ever happened before.
It was Crisis on Infinite Earths, the story that changed the DC Universe and the American comic book industry forever.
Among Spider-Man‘s many iconic enemies, Doctor Octopus occupies a notable place–right after the infamous Green Goblin. Octopuses are not natural enemies to the spiders, so this is an exception. Introduced in 1963 in the pages of The Amazing Spider-Man #3, this supervillain was created by Stan Lee and Steve Ditko.
Doc Ock’s real name is Otto Octavius. He is a mad scientist who is highly intelligent, myopic, and in control of four mechanical arms that he built himself. Those arms were the original idea of Steve Ditko. He suggested it to Stan Lee who came up with the rest, the name and the origin story.
Each subject has its own lexicon and specialized terminology, and the world of comic books is no exception. New readers can be confused when words such as “continuity,” “variant covers,” or “crossovers” pop up.
As a medium, comics have created a rich and distinct language over the years. Prominent creators and scholars like Will Eisner, Scott McCloud, R. C. Harvey, and Dylan Horrocks have worked to formalize and clarify comic-book language. To help you navigate the Comic Book World, we’ve put together a Glossary of comics terminology—a guide with the most popular terms and phrases you can encounter.
Panels from The Wicked and The Divine #2. This was in July 2014!
As of right now, you may have heard how Google is killing independent websites. If not, the short version of the story is the recent updates of the search engine wiped out the search traffic of many websites as Google pushes ads and AI Answers on the top of their results pages. Google Search has evolved to no longer be a proper search engine, as its primary focus is to retain users within its own ecosystem (and selling its own products).
Without surprise, Comic Book Treasury has been massively affected by those recent events. Compared to last year, we have lost more than 50% of our traffic and we are still decreasing — and to be fair, we are a small website! It could also be worse, as our sister site Howtoread.me (owned by Fabien) has been part of those who lost 95% of their traffic.
I also have to acknowledge that the timing couldn’t be worse, as the Superhero Comic Book Industry is not in great shape right now. The market is down and things are evolving. These are always turbulent times.
Looking like he is Thor with the head of a horse, Beta Ray Bill is not a multiverse variant of the Asgardian superhero. He is from the same universe and he is more than a copy or a variant of the God of Thunder.
Introduced by Walt Simonson during his famous run on Thor in 1983 in a 4-issue adventure told in The Mighty Thor #337-340, Beta Ray Bill is a Korbinite, as he comes from the planet Korbin, “Burning Galaxy.” The inhabitants of this part of space don’t look like him as he was transformed into a cybernetic being.
For Walt Simonson, the idea was to use comic tropes to subvert expectations. As he said in an interview published in The Jack Kirby Collector #14, “I designed Bill deliberately as a monster, because I knew that people would look at it and go, ‘Oh, my God, it’s this evil guy.’ I deliberately wrote them so you weren’t sure in the beginning if he was a good guy or a bad guy. His face was designed around a horse’s skull, partly because horses are quite beautiful. I thought it’d be kind of cool to have the structure of a beautiful animal underneath the monster to give this dichotomy between the monstrous and the beautiful in the same face.”
One of the most surprising elements of Beta Ray Bill’s introduction is that he can pick up Mjolnir, the most powerful weapon of the Norse gods, the one that only Thor is supposed to be worthy of using. But Bill is also worthy and, beyond the initial shock of seeing a monster-like character using Mjolnir, it proves that he is a noble warrior on par with Thor.
As Spider-Man wasn’t the first spider-themed superhero, Black Cat wasn’t the first comic book cat-themed cat burglar with an ambiguous relationship with a famous vigilante.
Master thief Felicia Hardy was created by Marv Wolfman, Keith Pollard, and Dave Cockrum and made her first official appearance in The Amazing Spider-Man #194, in 1979. It wasn’t supposed to be her introduction as she was first drawn for the cover of Spider-Woman #9, before the story was even written. But Marv Wolfman left the book and brought his feline villain to another spider-titled series, the “amazing” one.
Some may think that comics are all about superheroes, but even the mask vigilantes and other overpowered costume heroes are just fighting crimes. Batman was born in the pages of Detective Comics after all, next to Slam Bradley and others. In fact, he is still doing investigating work in the street of Gotham, when he doesn’t fight super-villains.
Anyways, there have always been crime fighters in the realm of comic books, from Will Eisner’s The Spirit, pulp heroes like The Shadow, to paranormal investigators like Hellboy or Scooby-doo & co. There also are simple private detectives, cops, local sheriffs, and amateur sleuths in the pages of the Big Two comics or independent publishers–we can’t forget anthologies like Crime Suspenstories by EC comics.
If you are a dedicated reader of crime stories, you know that they come in a lot of different flavors. The following list is an attempt at covering the spectrum of the crime genre in comics with what is among the best series published. You can add to it by leaving a comment!
In 1964, the Batman titles got a “New Look,” but as 1969 ended, it already faded and change was again needed as both Batman and Detective Comics didn’t sell that much anymore. Artist Neal Adams was motivated to bring the Caped Crusader back onto a darker gothic path and worked with writer Frank Robbins—and occasionally Denny O’Neil—toward this goal.
One of the creative highlights of the Adams and Robbins collaboration in 1970 was in the pages of Detective Comics #400 with the introduction of Man-Bat.
In 1992, DC Comics published a four-part miniseries titled “The Sword of Azrael,” written by Dennis O’Neil–the editor of the Batman line–and penciled by Joe Quesada. At the time, readers thought it was just another inconsequential adventure of Batman, not knowing that the introduction of the character Azrael was part of a bigger plan that would come to fruition with the Knightfall storyline.
Azrael, Vengeful Angel of the Order of St. Dumas
When Jean-Paul Valley’s father is mortally shot by a gangster he was sent to kill, he gives his son instructions to follow before dying. This led Jean-Paul to Switzerland where he had a rendezvous in a tiny mountain village to meet his destiny. There, a small man dressed as a monk named Nomoz becomes his new teacher. His brutal training starts.
Jean-Paul Valley is to become the new Azrael, the deadly Angel working to protect the Order of St. Dumas–a secret society/religious organization with a long history, dating back to the Crusades, that was originally connected to the Knights Templar. What he doesn’t know is that he was conditioned to take on this role from birth as were his father and ancestors.
In the world of comic books, death and resurrection have become commonplace. For a long time, there was a common saying amongst readers that was “everyone comes back except for Bucky Barnes, Jason Todd, and Uncle Ben.” Or a variation of it. However, this saying had to change after 2005, when both Jason Todd and Bucky Barnes came back.
Although the deaths of some superheroes have had a significant impact on the industry, few had the emotional impact of The Death of Captain Marvel, which was written and drawn by Jim Starlin.
