Hellboy: The Creation and Origin Story of Mike Mignola’s Red Monster
Mike Mignola was getting known for his work for Marvel and DC, but it was not what he especially desired to draw. What he wanted to do was stories about an occult detective and did it with Hellboy.
This was in 1993. Mignola had finished his now-celebrated comic adaptation of the Bram Stoker’s Dracula movie that helped him continue to explore themes and historical elements he was really into—like did his (DC Elseworlds) Gotham by Gaslight story just before. For his next work, he wanted to do a created-owned book and, at first, he intended to keep going in that same direction, inspired by stories written by William Hope Hodgson (Carnacki), Alice & Claude Askew (Aylmer Vance), H. Heron (Flaxman Low), A.M. Burrage (Francis Chard), and more. But after being confronted with the challenges of drawing Victorian-era stories, he kept his occult detective concept and chose another time period.
The idea of the big red monster was inspired by a drawing he made a couple of years earlier for a pamphlet to help promote the Great Salt Lake Comic-Con. It was not the Hellboy we know now, but a demonic monster with the word “Hell Boy” on his belt. That name was what the artist kept in mind as the design of the character evolved seriously and transformed into a more human creature—still, he was a red-skinned, cloven-hooved demon with a big gun.
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